Flashpoint, a business intelligence agency specialising in the deep and dark web, recently published a report on the economy of criminal networks online. The report looks not only at where criminals go to communicate on the internet, but also how their communications are structured, and the ways in which online communication has changed the criminal landscape.
Far from the kind of jack-of-all-trades portrayed in TV dramas, today’s cybercriminals structure their operations much like a business, each person having their own specialisms and reporting to the people above them. This helps to ensure that every member of the network takes on tasks that don’t overwhelm them, and often also ensures that the level of communication is kept to a minimum. Each party is only in contact with the level directly above, thus decreasing the likelihood of breaking up the entire network if a single individual’s identity is uncovered by law enforcement.
Read the full article on ForensicFocus
The other day I interviewed John Patzakis, Executive Chairman at X1 Discovery, about an article he’s written about a new amendment to Federal Rule of Evidence 902.
Subsection (14) will come into play this December, and will mean that all electronic data will be required to be “self-authenticating”.
These days I tend not to listen to many albums, at least not one track after another on repeat, the way I used to when I had cassette tapes and then CDs.
Now that Spotify is in my life, most of my music is organised into playlists with titles like “Fuck Yeah”, “Mother-Friendly Playlist”, “Leave Me Alone”, “Work Fucking Harder”, and so on.
But from time to time there’s still an album that captures me enough to make me want to listen to it all the way through, and then listen again, and then buy the CD to make sure I definitely have it forever.
Here are some of my favourite albums throughout my life.